Better Than Here

Death cracks you open. Watching someone you love take that final journey leaves you flattened and groundless. We don’t know what’s next for them. We can’t follow. We can’t understand how it feels to face the end of your life or the mental, emotional, and physical territory that comes with it. I don’t believe that those who die are lost. I don't believe that we're purely biological lights that flicker out when bodies give up. I believe we have an essence. A soul, if you will, that soldiers on after our body gives up. But it's a very human thing to want proof and science still doesn't know quite what to make of death. So each of us has to choose what we believe - and then, more importantly, choose what to do with that belief.

Sitting in the car with my father and talking about god is one of my earliest memories. I told him I didn't believe in any religion that taught us to fear god, because I didn't think god worked that way. His reply didn't survive my precarious and sieve-like memory bank, but I remember feeling like he was proud of me.

He's also proud of me for this - deep, life-long commitment to Calvin and Hobbes, his favorite comic. 

The idea of god as a judgmental white-bearded dude in the sky never seemed quite right. One night when I was young, seven or eight maybe, I decided that god was made of people - the best parts of people, what we are at our purest and most loving. I saw each person as a bright pinprick of light, like a star. I remember deciding that we’re our own individual sparks here in this body, in this life. But when we die, our light gathers and joins that of everyone else in a much larger light, bright and vast. God as a separate entity doesn’t exist, because we are all god.

I’m not sure where this came from - maybe I absorbed this idea from the metaphysical books that lined the shelves of our living room when I was growing up, maybe it was a burst of intuition that came through before my brain and ego began to shut me down, maybe I invented it because it seemed like a nice idea. But I remember feeling comforted by the idea of a great light to return to as I lived my relatively average but not exempt from pain life.

But when your father is dying, all you can do is feed him ice cream when he asks for it and play John Coltrane you’re not sure he can hear and then send him off into the deep unknown and trust that whatever comes next is better than where he was.

Ask For a Sign and You'll Get One

Turns out, I'm not going to live forever. It also happens that if I want children, my childless days will be coming to a rapid halt in the very near future. I'll be 37 in July, guys. Which gives me a rather short span of time to do everything I want to do ever before kids muck it all up. So in the next year or two, I need to have many amazing adventures, spend a month in Bali and France, learn how to earn a lot of money while also having plenty of time to hang out with babies, and, I dunno, buy a house or something. It's a hefty to-do list. What does a person do when they suddenly realize they don't have forever to do all the things they want in life? If you're me, you decide to devote yourself wholeheartedly to writing animal stories, and pretending you have answers on youtube. Because animal stories are obviously the way to get to Bali and also have plenty of money to pay for babies. Cough.

I'm forging a path that doesn't necessarily make good, common sense. Do I believe it's possible to have what I truly want in life? Absolutely. Do I have any idea how to do it? Nope. But to build the life you want, one that doesn't necessarily look like everyone else's, you have to listen to yourself. You have to get really clear on what you truly want to do, what you truly have to offer, and offer it up in the best way you can in that moment. 

I have anywhere from one to three years to make a lot of things happen for myself before it's baby go-time. It feels more possible than ever, but only if I follow my intuition. Because that's the only thing that can tell me how to get where I really want to go. 

I literally wrote the book on freelance writing (fine, one of the many books on freelance writing), but I've started to realize that freelance writing isn't actually what I want to do. I don't want to write for other publications, I don't want to hustle, I don't want to pitch. It exhausts and drains me and it's taken me fifteen years to admit that. In Turning Pro, Steven Pressfield talks about shadow careers, about career paths that resemble what you want to do but are really just a form of resistance. I've been resisting what I actually want to do for a decade and a half now. In many ways, I do love freelance writing. I love talking to people about their jobs and their passions and their businesses and I love writing about burlesque dancers and chefs and mountain climbers and canny CEOS. And I will happily continue to do it until what I actually want to do begins to make sense in the real world.

Here's the paradox: In order for writing animal stories to make sense as a career choice in the real world, I have to abandon the real world. I have to allow myself to dream in a way that felt foreign even just a few months ago. Because I want to be an artist - yes, a writer, but not a writer in any of its more professional, practical forms. I want to write ridiculous stories about talking raccoons who wear cravats and go on adventures. I want to channel for people, something that I still have trouble saying out loud because what?

Owning what you really want isn't always easy, especially when what you really want wouldn't make sense to most people you pass on the street. But that just makes it even more essential that you do it. We need the strange and unconventional and creative in this world now more than ever. Because if we keep doing it the way we've always done, we'll keep getting what we've always gotten.

Last week, we drove along the coast of California until we hit Esalen in Big Sur. When we pulled up to the gate, they handed us a key that sent us here:

photo-6

Sometimes the universe sends you a literal and unmissable sign, and that sign says, "Go right ahead and be an artist, you irrepressible hippie, you." And so I shall.

Because When You Stop Being Utterly Fascinated By Your Own Life You Have To Find Some Other Way To Occupy Your Time

The more interesting my life gets, the less compelled I feel to write about it. This is new for me, because writing about my life used to be my favorite thing. Mostly because it was how I figured out myself and my world. Either I've gotten speedier at diagnosing the misalignment of my internal cogs or I've stopped caring. But since I love writing, when I stopped being super intrigued by myself, I had to write about something else. So my inner world spit forth a tiny British town full of nattily-dressed raccoons, scone-baking dormice, world-weary lemurs, and not-so-clever foxes. Since I also love this blog and wanted to share, I posted my first raccoon story with zero explanation or introduction, which led one person to wonder if it was some extended animal metaphor for my life. (It was not, though I dearly wish it was.) I presume it lead everyone else who read more than a paragraph to scratch their heads and wonder what sort of illegal substances I've gotten into this time. (None, surprisingly.)

I've written about nine of these animal stories and don't seem to be stopping, so I may keep sharing them here. Or I may not. For everything is subject to my whim and that's the way I like it. It seems to be shaping into a series of stories for kids in the six to ten range, so if you have one of those and think they might like reading/hearing about raccoons and displaced giraffes, let me know and I will send you chapters as I finish them.

My other project has been creating a youtube series with my friend Ben. He's an official licensed-in-the-state-of-California therapist. I'm not licensed to do anything in the state of California except drive and even that seems a bit questionable at times. But if you spend a great deal of your life trying to figure yourself and the world out, you end up with a lot of opinions. So we turned on the camera and started talking about things like making friends and rejection and finding your life purpose.

Someone called it Car Talk for Therapists, which tickled the hell out of me because I always loved Car Talk. I couldn't care less about cars, but they always sounded like they were having so much fun. That's sort of what we're hoping will happen with this - we find ourselves very entertaining, thank you - but we're still experimenting. The videos are here, if you're interested. Now that we've made a bunch of them, we're looking for ways to make them as fun and useful as possible. Suggestions and heckling welcome. 

Dreams Deferred

When someone dies, they leave behind a lot of stuff. Emotional stuff, yes, but also a shed full of thirty-year-old gardening magazines. To the best of my knowledge, the only time my father ever tried to grow anything was when he bought and planted a rosebush. His definition of gardening was building an electric fence around his flowers to keep the deer from chewing on them. An electric fence seems like overkill, but given that he peered out his front window one night and found a mountain lion on his porch gnawing on a deer haunch, maybe it was warranted.

At least the lion avoided the roses.

Dad lived up in the Santa Cruz mountains, miles down a dirt road, on ten acres of land that includes redwoods and a stream. Not bad, if you like that kind of thing. I remember lying in a hammock strung between two redwoods and reading Calvin & Hobbes in the sun. I would go stone hopping along the creek, followed by one of Dad's more adventurous cats.

Going through his stuff after he died, I began to fully understand some of our shared character traits. Dad had tons of educational materials he bought and never opened. So do I. He thought about writing a novel for years - we talked about it and he had copious and carefully organized plot notes. As far as I can tell, he died before he wrote the first chapter.

It's a form of resistance. You take the first step and then you drag your feet on taking the second step - sometimes for years. But what I've learned since is that you can always make a new choice. Just because Dad didn't ever start his novel doesn't mean I won't ever finish mine. Just because he never cracked open his audio courses on world religions doesn't mean I have to go to my grave having never finished reading my copy of Die Empty. It's easy to get lost in the comforting warmth of familial bonds, but his choices do not have to be mine. His struggles don't have to dictate my eagerness to build and create and learn.

Dad loved fantasy and science fiction. Sick to death of endless recitations of Goodnight Moon, he read me The Hobbit when I was three years old. I'd sit on the couch next to him with my sippy cup and security blanket and absorb tales of trolls and wizards and rings of power. He had vast bookshelves of the stuff and spent years upon years developing ideas for his own series without ever putting a word to paper.

He left behind a lot of stuff. My question is, what did he take with him?

Stephenie Meyer says her Twilight series came to her in a dream, and she transcribed her world of glittering vampires and adolescent fantasy onto paper and sold millions upon millions of copies. I like to think that will happen to Dad in his next life. That he'll wake up one morning and the plot line he spent years upon years developing in this life will burst into his brain fully formed, and all he'll have to do is copy it down. So maybe the work of this life won't be lost.

If you want to extrapolate wild theories based on a belief in reincarnation and soul memory, this could explain people like Mozart. You spend years, decades, lifetimes learning the rules, practicing the notes, playing the scales. Maybe you spend three deeply aggravating lifetimes being on of those people who tries and tries and never quite make it - and then you get born Adele and win Grammies and Oscars in your early 20s, after making the whole world shake with your music. I don't know. But I like to think that's possible and that my dad will get to see his work in print, even if the author plate holds a different name and picture.

Isn't that a nice thought? That even if you die without fulfilling a dream, all your work of this life could pay off in the next. Maybe nothing is wasted. So if you love something, do it. If you're bad at it, who cares? Even if you haven't the slightest hint of talent, practice as hard as you can. Maybe it will pay off two hundred years from now when you look completely different and have a license for a flying car. Maybe I should keep singing in the shower. Just because I sound like a choking alley cat doesn't mean that a few rounds from now I won't be Taylor Swift.

I like to think that maybe my dad will be born into another body in ten, twenty, fifty years and he'll want to be a writer, and that plot and world that he spent decades of this life developing and dreaming and researching will come to him, fully formed, like it was coming from another time or place. Maybe he won't understand it but he'll trust it and run with it. And the book he wanted to write in this life will be written in his next.

Pumpkin Pilgrimage

As your eyes pass over the line of Pinterest-perfect pumpkins - toothy smiles and hipster owls and even the Golden Gate Bridge carved into squash - you might notice a cluster of pumpkins at the end, pumpkins that aren't like the others. Slightly dim but full of personality. The sort of pumpkins that would pull the station wagon to a screeching, smoky halt by the side of the road because a freshly-killed squirrel was spotted, a squirrel that would do well in a bowl of chili or maybe cured into jerky. Obviously a family. Not the brightest, maybe a little physically impaired, but happy, secure in their tribe.

After an afternoon of mulled wine, lizard staring contests, and scooping pumpkin guts, we loaded our pumpkin family into the back of my car. They rode around for a few days, windows rolled down to disperse the pumpkin smell, until we finally had to decide what to do with them. When I proposed taking one or two home and leaving him with the rest for his apartment building, he looked at me in shock. "We can't split them up! They need each other!"

I collected myself, horrified by my insensitivity. Of course they need to stick together. They would be lonely. No one else would understand them. The round little mother would be devastated without her crooked-grinned husband. The adopted sibling, a bug-eyed genius who needs to carve carrots into perfect replicas of Bic pens before eating them, wouldn't mesh well with normal society. The cyclops would smash into walls and knock over tables without her buck-toothed brother to lead her around random bits of furniture. (Her peripheral vision isn't all that great.) 

So we scoured the streets until we found a good spot under a tree near Dolores Park. As we tucked our pumpkin family into their new home, a herd of schoolchildren passed, yelling out Happy Halloween!s and complimenting our jack-o-lanterns.

They had found their place, and they were happy.